Photography
Familia Victoriano, 2011 Digital print 65 x 66 cm (25.5 x 26 in), Portfolio Ed. 3 Exhibited: 2013 Mujeres detrás de la lente. Exposición itinerante. México 2013 Segundo Concurso de Fotografía Contemporánea de México. Photography Award, Fundación Mexicana de Cine y Artes, A.C., México (Recipient of Acquisition Award) Collection: Fundación Mexicana de Cine y Artes, A.C., México Catalogues: Mujeres detrás de la lente. 100 años de creación fotográfica en México 1910-2010. Emma García de Krinsky. Conaculta, México.
Julia y Laura, 2013 Digital print 43 x 57 cm (17 x 22.5 in), Edition of 5 Exhibited 2013 El regreso de Julia Pastrana. Solo Exhibition. Museo Iconográfico del Quijote. 41 Festival Internacional Cervantino, Guanajuato, México. 2014 Social Paper. Hand Papermaking In The Context of Socially Engaged Art. Columbia College Chicago, Center for Book and Paper Arts, Chicago 2015 Museo de Arte Moderno, CDMX 2017 Solo Exhibition. Rutgers University 2021 Solo Exhibition. Newcomb Museum of Art Collections: Museo de Arte Moderno, México, D.F.
En el orden del caos/In The Order of Chaos, 1996 Cromogenic print 76 x 101 cm (30 x 40 in) Edition of 3 Collections: Landesbank Baden-Württemberg Collection. Stuttgart, Germany and private collections Exhibited: 1998 Austin Museum of Art, Austin, Texas and Dieu Donné, Papermill Gallery, New York City 2001 Landesbank Baden-Württemberg Gallery, Stuttgart and Peter Herrmann Gallery, Berlin 2010 Among Tender Roots: Laura Anderson Barbata, Columbia College Chicago Center for Book and Paper Arts, Chicago, IL. Catalogues: Terra Incognita, Ex-Teresa Arte Actual México, D.F. and Ramis Barquet Gallery, New York 2002, pp 38 Paradise Lost? Aspects of Landscape in Latin American Art, Lowe Art Museum, University of Miami, Coral Gables, Florida, 2003, pp 111
Consuelo, 2004 Lenticular print, 24 layers mounted on aluminum Edition of 5 image created with Rafael Esquer 65 x 100 cm (25.59 x 39.37 in) Exhibited: 2002 Ramis Barquet Gallery, New York 2005 John Connelly Presents, New York City Catalogues: Terra Incognita. Ex-Teresa Arte Actual México, DF and Ramis Barquet Gallery, New York, 2002. pp. 64-65 Bonds of Love. John Connelly Presents, New York. 2005. pp. 026-027
Gloria, 2006 Lenticular digital print, 24 layers mounted on aluminum 182 x 106 cm (42 x 72 in) Edition of 3 Collections: Gloria, 2006. Museo Jaureguía, Navarra, España Exhibited: 2006 Galería La Refaccionaria, México D.F 2005 John Connelly Presents, New York City Catalogues: 2005 Bonds of Love, essays by Lia Gangitano, Chris Kraus and Lisa Jaye Young. Designed by Alfalfa Studio, New York. For the exhibition at John Connelly Presents, New York.
Virgen en el turibus, 2006-2020 Digital print on fujiflex 50 x 66 cm (20 x 26 in), Edition of 1 Exhibited: 2020 Manos por México, N.L. México
Consuelo, 2004 Chromogenic print, Edition of 5 152.4 x 203.2 cm (60 x 80 in) Exhibited: 2002 Ramis Barquet Gallery, New York Catalogues: Terra Incognita. Ex-Teresa Arte Actual México, DF and Ramis Barquet Gallery, New York 2002. pp. 66-67
Temporal Displacement/Desplazamiento Temporal, 1999 Double sided mirror interruption in path of delphinium petals and paper Installation view. Wave Hill, Bronx, New York Photographic portfolio created with Stefan Hagen Collections: Sprint Nextel Collection, Overland Park, MO Exhibited: 1999 Wave Hill, Bronx, New York Catalogues: Traces of Infinity", essay by Cecilia Fajardo, translation: Rowena Hill; Galeria Ramis F. Barquet, New York; Wave Hill, Bronx, New York
Autorretrato, 1997 Cromogenic print 101 x 76 cm (39 x 29 inches) Ed. of 3 + 2AP Collections: Landesbank Baden-Württemberg Collection. Stuttgart, Germany and private collections Exhibited 1998 Austin Museum of Art, Austin, Texas and Dieu Donné, Papermill Gallery, New York City 2001 Landesbank Baden-Württemberg Gallery, Stuttgart and Peter Herrmann Gallery, Berlin 2010 Among Tender Roots: Laura Anderson Barbata, Columbia College Chicago Center for Book and Paper Arts, Chicago, IL. Catalogues: Terra Incognita, Ex-Teresa Arte Actual México, D.F. and Ramis Barquet Gallery, New York 2002, pp 38 Paradise Lost? Aspects of Landscape in Latin American Art, Lowe Art Museum, University of Miami, Coral Gables, Florida, 2003, pp 111
Traces of Infinity / Trazos del Infinito II, 1999 Path of blue delphinium petals and paper Installation view. Wave Hill, Bronx, New York Photographic portfolio created with Stefan Hagen Collections: Sprint Nextel Collection, Overland Park, MO Exhibited: 1999 Wave Hill, Bronx, New York Catalogues: “Traces of Infinity", essay by Cecilia Fajardo, translation: Rowena Hill; Galeria Ramis F. Barquet, New York; Wave Hill, Bronx, New York